I received my new K14ce Builder’s Edition on Friday. I placed an order as soon as Taylor announced the new V-class line through my FLGS (favorite/friendly local guitar shop)...
Very nice guitar, "Giraku!" I believe I held your guitar before even you did -- at Empire Music's Roadshow event back on February 20th...?
I should take the opportunity to publicly thank you on behalf of everyone who attended the event for your generosity in allowing your K14ce BE to be highlighted during the event, and for allowing attendees to inspect and play your guitar first-hand (under the very strict supervision of the Empire Music staff, of course).
Giraku,
Did you also try out the updated 914ce? If so how did you feel it compared with the builder's edition?
Unfortunately, I did not. I would love to audition V-class 914ce. But my fear is that I might want to buy one...
Given how much you like your K14ce BE, I suspect you would. I had the opportunity to A-B a "V-Class" 914ce against a leftover 914ce-SB that Empire has, and even I could discern the differences Taylor has been talking about.
To try to answer "RyanR's" question: regardless of the bracing scheme used, the differences between a 914ce and a K14ce just come down to the tonal properties of the woods used (specifically, Sitka paired with either EIR or Koa); the new "V-Class" bracing really doesn't affect that tonewood relationship at all (unlike the way the bracing in the new 600 Series "re-voiced" Maple). Without getting too deeply into the physics of sound, "V-Class" bracing is probably better thought of as a technical improvement in allowing the tops to vibrate more freely and without as much
destructive interference. So if you like the way EIR sounds better than Koa, you'd probably prefer the 914ce -- and vice versa.
Beyond the tonewood influences, the specific differences between the "V-Class" 914ce and the K14ce BE come down to ergonomics: the body of the K14ce BE is heavily beveled -- with the familiar armrest already found on the 914ce and Presentation Series guitars, plus rounded-off binding, and a nifty beveled cutaway that is carved flush with the base of the guitar neck -- as well as something Taylor is calling a "silent satin" finish. According to what we were told by the Taylor representative at Empire Music's Roadshow event, all of these changes were introduced by Andy Powers, the Guitar Player (as opposed to Andy Powers, the Guitar Designer), simply to address some of the practical issues he's noted while playing a guitar: the comfort level when holding a 'sharp-edged' guitar; the ease with which the higher frets can be smoothly accessed (the Taylor rep noted that the Builder's Edition cutaway would allow someone to comfortably play all the way
into the sound hole, if they were inclined to do so); as well as the way glossy finishes squeak when players get sweaty, or the way normal satin finishes make a rubbing noise against clothing.
So if you really like the ergonomics of the Builder's Edition, but aren't hot about the tone of Sitka/Koa, don't fret (pardon the pun); we were told that Taylor will be introducing future Builder's Edition guitars with different tonewood combinations, one of which may be better-suited to your ear.